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abstract |
saggio
The Promises of Monsters: A Regenerative Politics for Inappropriate/d Others
Haraway Donna
1992
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Lawrence Grossberg, Cary Nelson, Paula A. Treichler, eds., Cultural Studies (New York; Routledge, 1992) , pp. 295-337.
"The Promises of Monsters" will be a mapping exercise and travelogue through mind-scapes and landscapes of what may count as nature in certain local/global struggles. These contests are situated in a strange, allochronic time-the time of myself and my readers in the last decade of the second Christian millenium-and in a foreign, allotopic place-the womb of a pregnant monster, here, where we are reading and writing. |
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"The Promises of Monsters" will be a mapping exercise and travelogue through mind-scapes and landscapes of what may count as nature in certain local/global struggles. These contests are situated in a strange, allochronic time-the time of myself and my readers in the last decade of the second Christian millenium-and in a foreign, allotopic place-the womb of a pregnant monster, here, where we are reading and writing. The purpose of this excursion is to write theory, i.e., to produce a patterned vision of how to move and what to fear in the topography of an impossible but all-too-real present, in order to find an absent, but perhaps possible, other present. I do not seek the address of some full presence; reluctantly, I know better. Like Christian in Pilgrim's Progress, however, I am committed to skirting the slough of despond and the parasite-infested swamps of nowhere to reach more salubrious environs.7 The theory is meant to orient, to provide the roughest sketch for travel, by means of moving within and through a relentless artifactualism, which forbids any direct si(gh)tings of nature, to a science fictional, speculative factual, SF place called, simply, elsewhere. At least for those whom this essay addresses, "nature" outside artifactualism is not so much elsewhere as nowhere, a different matter altogether. Indeed, a reflexive artifactualism offers serious political and analytical hope. This essay's theory is modest. Not a systematic overview, it is a little siting device in a long line of such craft tools. Such sighting devices have been known to reposition worlds for their devotees-and for their opponents. Optical instruments are subject-shifters. Goddess knows, the subject is being changed relentlessly in the late twentieth century.
Lawrence Grossberg, Cary Nelson, Paula A. Treichler, eds., Cultural Studies (New York; Routledge, 1992) , pp. 295-337.
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